U:MACK
present
BATTLES
Friday 25 May
Temple Bar Music Centre
DOORS 8pm (early show)
TICKETS €18 from Road Records, City Discs, Sound Cellar and online
at www.tickets.ie
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BATTLES
The amazing Battles return to Dublin on may 25 in
the temple bar music centre. Featuring ex members of Don Caballero, Helmet
& Tomahawk, they played there debut Irish show to a sold out Whelans last
july.
Battles' debut album MIRRORED will be released on 14th May, preceded by
ATLAS the single released 2nd April.
Some bands need biographies written on them, some bands don't, yet someone
still foolishly insists on writing one. Brooklyn's Battles fall squarely
into the latter category. Nonetheless ...
Rising from the ether of a pop-scarred 2004, the enigmatic EP C announced
Battles's arrival like a blinding succession of Morse Code strobes across
an aphotic landscape. Even as a short-form debut it was clear that band
members Ian Williams, John Stanier, Tyondai Braxton and Dave Konopka had
established something utterly unique. Instead of the conventional band
dynamic of individual players waiting for their turn to be showcased,
the members of Battles are more analogous to a tangle of brain synapses
all firing in time with each other.
Having served time in seminal acts Don Caballero, Helmet, Tomahawk, Lynx
and The Mark of Cain amongst others, Battles draw from a sprawling range
of styles and sounds and distill this erratic static into the tightest
mindfuck jams to be committed to playable format. Closely following EP
C, Tras/Fantasy served as another definitive dose of labyrinthine, juggernaut
rhythms and equilibrium-shifting textures that would safely place the
band outside the orbit of any contemporaries.
On this first pair of EPs, Stanier's drumming is like pinpoint buckshot,
Williams' guitar is sharpened schizophrenia, Braxton's sound manipulations
are fragments focused and Konopka's guitar is malleable granite ... which
is to say, all are nearly impossible to define yet none can be ignored.
Late in 2004, Battles unleashed B EP and set their cryptic marks in stone.
Centered by a set of extended musical movements, B EP was a fitting conclusion
to the band's inception-as-trilogy.
In 2005 Battles set off across the globe on tour with Prefuse 73 and his
crack live collective, combining driving atonal grooves and bombastic
improvised fury that landed them in Japan opening for The Mars Volta and
establishing their reputation as one of the most exciting live acts to
crisscross the globe. The sheer musical breadth of their first three EPs
and the lasting impact of their live shows have left fans and skeptics
alike in perplexed anticipation of their debut full-length.
May 14th 2007 will see the release of MIRRORED, Battles first album proper
and a significant measure of evolution from a band that has yet to cease
moving. Still entirely intact are the unflinching experimentations and
metallic angles of their young catalog, but a new melodic insight has
manifested itself in the form of some of their most engaging tracks yet.
"Tonto" opens with and off-kilter series of chimes and chugs
which are welded to a forcibly shuffling drumbeat and a foreboding chant
that gives way to a soaring midsection. First single "Atlas",
out 2nd of April is a verifiable anthem, unrelenting and gigantic, but
never surrendering the skewed aesthetic of the band's past.
Offering insight into Mirrored, the band said: "This record is a
culmination of ideas that we were working with in the past and directions
in music we were going individually. It's not so much a new direction
as it is taking what we've done and going in four different directions
with it. I think the record is more dynamic and shows the band maturation.
Being that we're more comfortable as a band the record is more fun.
We were excited to test our hands at writing songs for the record still
using frame work from the EP's. We wanted to use lyrical vocals this time
around to see what it would be like to have that incorperation and to
push ourselves to integrate new elements that would evolve the band".
With snaking, entrancing harmonies and thundering percussive force, Battles
are a distorted reflection of an entire musical diaspora ... a view of
innovation and tension reverberated as a flash, mirrored.
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